Minggu, 25 September 2011

[C110.Ebook] PDF Ebook Jonah's gourd vine, by Zora Neale Hurston

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Jonah's gourd vine, by Zora Neale Hurston

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Jonah's gourd vine, by Zora Neale Hurston

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Jonah's gourd vine, by Zora Neale Hurston

Jonah's Gourd Vine, Zora Neale Hurston's first novel, originally published in 1934, tells the story of John Buddy Pearson, "a living exultation" of a young man who loves too many women for his own good. Lucy, his long-suffering wife, is his true love, but there's also Mehaley and Big 'Oman, as well as the scheming Hattie, who conjures hoodoo spells to ensure his attentions. Even after becoming the popular pastor of Zion Hope, where his sermons and prayers for cleansing rouse the congregation's fervor, John has to confess that though he is a preacher on Sundays, he is a "natchel man" the rest of the week. And so in this sympathetic portrait of a man and his community, Zora Neale Hurston shows that faith, tolerance, and good intentions cannot resolve the tension between the spiritual and the physical. That she makes this age-old dilemma come so alive is a tribute to her understanding of the vagaries of human nature.

  • Sales Rank: #11962073 in Books
  • Published on: 1934
  • Binding: Hardcover
  • 316 pages
Features
  • Negro lore and mythology, with point of departure between the Negro and White races. Humor, heartache, ambition, superstition, fidelity and infidelity. Racial issues.

About the Author

Zora Neale Hurston, the author of Their Eyes Were Watching God, was deemed "one of the greatest writers of our time" by Toni Morrison. With the publication of Lies and Other Tall Tales, The Skull Talks Back, and What's the Hurry, Fox? new generations will be introduced to Hurston's legacy. She was born in Notasulga, Alabama, in 1891, and died in 1960.

Most helpful customer reviews

0 of 1 people found the following review helpful.
Jonah's Gourd Vine
By W. Finnerty
This book was needed quick for a college class - thanks for making it easily accessible without having to leave the house to search for it.

12 of 12 people found the following review helpful.
One of the best books I have ever read
By Kharabella
I always thought of Toni Morrison as the leader, the queen, and the matriarch of black women's fiction, but the more I read of Zora Neale Hurston, the more I feel that everyone else must have taken their cues from her!

Her writing is enchanting and thought provoking, her use of "black" language is absolutely delightful. The story and the characters are interesting in and of themselves. What makes this work really shine is the language, and the heritage and history that it preserves. She takes care to write the way that people speak, resulting a unorthodox spelling and usage that at first I had to say out loud in order to properly understand. (My grandmother didn't have to do that, though, and for that reason alone, she loved Zora Hurston.) Ms. Hurston also uses words, idioms and phrases that are unique to black america, and that my generation would likely have lost -- the news of the "Black Dispatch," "Old Hannah" rising, "hittin' a straight lick with a crooked stick." Some of the sayings I remember my Grandmother using, and some I remember using as a child. I found all of them interesting and beautiful, and I am grateful to Ms. Hurston for finding them valuable enough to put down.

5 of 5 people found the following review helpful.
A solid debut by the author of "Their Eyes Were Watching God"
By Darryl R. Morris
So Jonah went out of the city, and sat on the east side of the city, and there made him a booth, and sat under it in the shadow, till he might see what would become of the city. And the LORD God prepared a gourd, and made it to come up over Jonah, that it might be a shadow over his head, to deliver him from his grief. So Jonah was exceedingly glad of the gourd. But God prepared a worm when the morning rose the next day, and it smote the gourd that it withered. And it came to pass, when the sun did arise, that God prepared a vehement east wind; and the sun beat upon the head of Jonah, that he fainted, and wished in himself to die, and said, It is better for me to die than to live.

And God said to Jonah, Doest thou well to be angry for the gourd? And he said, I do well to be angry, even unto death. Then said the LORD, Thou hast had pity on the gourd, for the which thou hast not laboured, neither madest it grow; which came up in a night, and perished in a night: And should not I spare Nineveh, that great city, wherein are more than sixscore thousand persons that cannot discern between their right hand and their left hand; and also much cattle?

Jonah 4:5-11

Hurston's first novel, published in 1934, is a fictionalized account of the lives of her parents set in the post-Reconstruction South to the years that followed the First World War. The title refers to the Biblical prophet, who cared more about the death of the gourd vine that sheltered him from the sun than the people of the nearby town of Nineveh, who were at risk of annihilation at the hand of God.

John Crittenden is born out of wedlock in post-Reconstruction Alabama to Amy, who later marries Ned, a sharecropper and embittered former slave who constantly butts heads with the strapping "high yaller" boy who isn't his own. Weary of the abuse and threats of his stepfather, John travels to a nearby farm to work, and meets Lucy, a younger girl who he falls in love with and ultimately marries. However, John is a strong and handsome man who is desired by many women, and he takes full advantage of this, to the detriment of his wives and young children. The aftermath of one affair nearly lands him on a chain gang, and he escapes to Florida, where he eventually moves to Eatonville, one of the first all-black towns in the Deep South. After working as a carpenter and sending for his family he eventually becomes a gifted preacher, who is in high demand in neighboring towns. However, he has not lost his taste for the flesh despite his love of the Spirit, and the problems that caused him to flee Alabama come to haunt him and his family in Florida.

I enjoyed this debut effort by Hurston, with its rich characters and compelling story.

See all 34 customer reviews...

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Kamis, 22 September 2011

[W851.Ebook] Ebook Download Mastering Copperplate Calligraphy: A Step-by-Step Manual (Lettering, Calligraphy, Typography), by Eleanor Winters

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Mastering Copperplate Calligraphy: A Step-by-Step Manual (Lettering, Calligraphy, Typography), by Eleanor Winters

Developed by English handwriting masters in the 18th century, copperplate calligraphy is admired for its fluidity and beauty. It is the most popular style for social correspondence, invitations, and other communications requiring an elegant hand.
In this practical manual, a noted calligraphy teacher offers a comprehensive, step-by-step guide for the student. Beginning with a brief but fascinating history of copperplate, she moves quickly to an in-depth examination of the alphabet, numbers, and punctuation. Each letter is demonstrated stroke by stroke with a clear explanation.
Readers will also find detailed discussions of writing in color, using the proper paper, and learning how to retouch, correct, and crop. Ms. Winters then shows how copperplate can be used to write a simple paragraph, a short quotation, or poetry, and explains how to use the script commercially for addressing envelopes and writing name cards and invitations. With this easy-to-follow manual and some practice, calligraphers will be able to create copperplate scripts with the rhythm, grace, and ease of the great writing masters.

  • Sales Rank: #9852 in Books
  • Brand: imusti
  • Published on: 2000-05-28
  • Released on: 2000-05-08
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.25" w x .75" l, 1.16 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Dover Publications

From the Back Cover

Developed by English handwriting masters in the 18th century, copperplate calligraphy is admired for its fluidity and beauty. It is the most popular style for social correspondence, invitations, and other communications requiring an elegant hand.
In this practical manual, a noted calligraphy teacher offers a comprehensive, step-by-step guide for the student. Beginning with a brief but fascinating history of copperplate, she moves quickly to an in-depth examination of the alphabet, numbers, and punctuation. Each letter is demonstrated stroke by stroke with a clear explanation.
Readers will also find detailed discussions of writing in color, using the proper paper, and learning how to retouch, correct, and crop. Ms. Winters then shows how copperplate can be used to write a simple paragraph, a short quotation, or poetry, and explains how to use the script commercially for addressing envelopes and writing name cards and invitations. With this easy-to-follow manual and some practice, calligraphers will be able to create copperplate scripts with the rhythm, grace, and ease of the great writing masters.
Unabridged Dover (2000) republication of the edition published by Watson-Guptill, New York, 1989.

Most helpful customer reviews

22 of 22 people found the following review helpful.
Zebra G nib (10-pack) Sumi ink (I like the one in the green bottle) T-40 pen holder
By Sarah I
For the last six weeks, I have been eating/sleeping/breathing alongside this book. Despite owning a dip pen for over three years, I struggled to make any progress toward the 'modern calligraphy' style I wanted to learn.

I finally saw an online comment where a pious experienced calligrapher pointed out that 'duh, it's all based on Copperplate so how can you expect to freestyle without learning the basics?' Well, this was news to me, but at last I found a place to start.

This book seemed overwhelmingly thorough when I received it but I resolved to take it slow. I did pages and pages of practice drills before even attempting a letterform. After about two weeks and many hours of practice, I moved on to lower-case letters and did alright--all those drills were teaching me about slant and the proportions and starting a little muscle memory in my hand.

I've got a long way to go, but if I put in another hundred zillion practice hours in I might get somewhere.

Products available on Amazon that hugely helped this beginner:

Zebra G nib (10-pack)
Sumi ink (I like the one in the green bottle)
T-40 pen holder

56 of 56 people found the following review helpful.
A must
By Kathie Condon
This book is a must have for the new calligrapher. It shows the various letters, but also gives variations on some of the letters. It is an invaluable resource. One final tip. I took my book to a local Fed Ex/Kinko's and had a spiral binding placed on it. That way I can open it up flat when I am working on my calligraphy and need to reference a letter. In fact I do that to all my craft/instructional books that I use a lot.

2 of 2 people found the following review helpful.
Beautiful Copperplate the easy way.
By S. Calderon
This book is going to be a great addition to my card making. So many times I look for just the right rubber stamp, with the right quote that doesn't exist. Now, that has become past tense.
I do have a background in calligraphy, but it has been awhile. I thought this book would be over my head, but that is not going to be the case. This book is even good for a begnner. Why not learn with the best type of calligraphy from the beginning.
This came book through Switzerland post and was here faster than my mail from Texas to Seattle.

See all 129 customer reviews...

Mastering Copperplate Calligraphy: A Step-by-Step Manual (Lettering, Calligraphy, Typography), by Eleanor Winters PDF
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Selasa, 13 September 2011

[U488.Ebook] Ebook Free Pop Manga: How to Draw the Coolest, Cutest Characters, Animals, Mascots, and More, by Camilla d'Errico, Stephen W. Martin

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Pop Manga: How to Draw the Coolest, Cutest Characters, Animals, Mascots, and More, by Camilla d'Errico, Stephen W. Martin

Renowned manga artist and comics creator Camilla d'Errico's beginner's guide to drawing her signature Japanese-style characters.

From comics to video games to contemporary fine art, the beautiful, wide-eyed-girl look of shoujo manga has infiltrated pop culture, and no artist's work today better exemplifies this trend than Camilla d'Errico's.  In her first instructional guide, d'Errico reveals  techniques for creating her emotive yet playful manga characters, with lessons on drawing basic body construction, capturing action, and creating animals, chibis, and mascots.

Plus, she gives readers a behind-the-scenes look at her character design process, pointers on creating their own comics, and prompts for finishing her drawings. Pop Manga is both a celebration of creativity and an indispensible guide that is sure to appeal to manga diehards and aspiring artists alike.

  • Sales Rank: #27788 in Books
  • Published on: 2013-10-08
  • Released on: 2013-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.98" h x .52" w x 8.54" l, 1.58 pounds
  • Binding: Paperback
  • 192 pages

About the Author
CAMILLA D'ERRICO is a product of her early addiction to Saturday morning cartoons, comics, and manga. Her client list includes Dark Horse Comics, Image Comics, Random House, Tokyopop, Hasbro, Disney, Sanrio, and Neil Gaiman. Her own characters and properties, Tanpopo and the Helmetgirls, are international sensations, and her emotive paintings have propelled her to the top of the ranks of the New Contemporary art movement. In 2011 she was nominated for the Joe Shuster Award and the Will Eisner Award--the two most prestigious awards in comics. D'Errico lives in Vancouver. Visit her at www.CamillaDerrico.com.

STEPHEN W. MARTIN is a screenwriter and story editor in film and comics. He lives in Vancouver.

Excerpt. © Reprinted by permission. All rights reserved.
"Whenever I’m creating a new character, I always start with the eyes. You get all the emotion from the eyes; they are the gateway to the character’s soul. Eyes are the manga artist’s catchphrase or calling card. Next time you’re reading Naruto, Chobits, or even Vampire Knight—some of my personal favorites—take a look at the characters’ eyes and notice the differences in the style and execution. Each manga artist has a signature way of drawing eyes. My eyes are “circle eyes,” and that’s the style you’re about to learn. But I want you to take the steps I teach you and run with them, altering them to match your own style and your own characters’ personalities. Remember, it’s your signature, so have fun!"

Most helpful customer reviews

22 of 23 people found the following review helpful.
Great book, and a solid choice for beginners. Just some additional info below.
By Jeff
I wanted to incorporate some Manga elements into some of my cartooning, so I picked up this book along with four others. This seems like one of the best. A few pros/cons

Pros:
- To start with, the book is gorgeous. There's tons of color and great illustrations. The physical quality of the paper and the printing is excellent as well. You could almost leave it out as a coffee table book.
- Strikes a good balance between starting at the beginning and talking down to the reader. Some of the books I've found (even beginner ones) assume skills that aren't really universal. Others seem to want to start by explaining what a pencil is. This one started at the beginning but was challenging.
- There is a nice progression. The book takes you through various aspects of a finished drawing piece by piece, breaking it down in a very logical way.
- Includes some very cool topics not really approached in other books. Specifically, non humans. It's nice to see them tie some drawing basics into something a lot of other books handle as almost "mysterious."
- The drawings in this book seemed much more polished than those in some of the other books. It's hard to describe exactly what i mean, but in some of the others, the end product is more "cartoony" than I would have liked. Sort of a silly criticism to make of a book about Manga, but it's the best way I can describe the difference. A lot of other books have artwork that just seems flat.

Cons:
- I say this about every single drawing book, so I don't take stars off for it, but why can't they make these coil/spiral binds? Every single person using this book is going to want to have it open while they have their hands busy with the lesson they are working on at the time, why not set it up to lie flat. Just a pet peeve, but I'm hoping someday a publisher might notice (Pro tip: you can get things coil bound at fed ex kinko's for five bucks or so, well worth the frustration you'll save).
- There was a lot of included artwork that, while gorgeous and interesting, wasn't really helpful to actually learning anything. I really enjoyed it, so I'm not taking stars off for it, but I could see someone feeling like the book wanders from the point a little.

If you are interested in learning some Manga techniques, this book is an excellent choice.

3 of 3 people found the following review helpful.
Well worth the money
By S. L. Werner
When it comes to art, I'm kinda like that lady that started in her 60's. (Only subtract about 20 years.) I didn't take any art classes in high school because I didn't think that I could draw. I have since learned different. The reason that I say this is because my primary study has been through internet videos and books. I was looking for a book that would really teach the basics of Manga. This book does that. This is the second book I have bought in the quest for a beginner's book and the first that worked in that capacity. The other was good but it really assumed too much. Camilla D'Errico's book doesn't make those same assumptions. The writing is witty and informative. The information on drawing hands is worth the price of the book all by itself. Unlike other artists, she loves drawing hands and makes it super easy to follow and learn. Usually when you have an art book reading it isn't really high on your list of things to do, but I suggest reading hers. It is pithy and friendly. She has this great little smart aleck character named Inku that gives tips and tricks throughout the book.

I don't know what else to say to convince an individual this is worth the price. Note: there are some incredible stand alone illustrations of her drawings that just inspire. Thanks for reading.

4 of 4 people found the following review helpful.
Great reading, and immediate help for people new to drawing manga styles.
By Tracy
If you're a fan of pop surrealism or lowbrow, and if you ever wanted to hear the voice of a prominent artist in that field, this is the book for you. Camilla is so conversational, it feels a lot like having e-mail with a friend. If you're a collector, or fan, of Camilla D'Errico, you must have this book! If not, but you're a fan of manga and anime and would like lessons that will have immediate impact on your art, you can't pass this book up.

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Rabu, 07 September 2011

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  • Original language: French
  • Dimensions: 6.93" h x .35" w x 9.84" l,
  • Binding: Paperback

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Senin, 05 September 2011

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Construction Law in the United Arab Emirates and the Gulf is an authoritative guide to construction law in the United Arab Emirates and the Gulf. The principal theme is the contrast between construction law in an Islamic civil law jurisdiction and construction law in a common law jurisdiction. ? the first authoritative text on the application of the laws of the UAE ? extensive extracts from the region's applicable laws, all translated from Arabic, and hundreds of judgments of the most senior courts used to back up the analysis provided

  • Sales Rank: #530324 in Books
  • Published on: 2016-05-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x 1.00" w x 7.00" l, .0 pounds
  • Binding: Hardcover
  • 440 pages

Review
Al-ḥamdu lill?h - finally, a proper book on construction law in the Gulf region... Michael Grose’s book is an indispensable guide to anyone with an interest in the law relating to construction contracts in the Gulf region. It is practical, sensible, and based on unrivalled research. Like certain provisions of the Civil Codes, this book is mandatory —Richard Harding QC, in Construction Law International

About the Author
Michael Grose obtained a law degree in the UK before completing his legal training in 1993 with an international law firm in the City of London. He relocated to Dubai in 1998 where he is the head of the regional construction and projects practice of a global law firm. As a veteran of the Gulf, Michael has extensive knowledge not only of the region's laws but also the application of these laws to construction contracts and disputes. Michael frequently reviews, advises on and prepares construction contracts for major projects, bringing him into frequent contact with the FIDIC suite of contract conditions. He has drafted amendments to these conditions to adapt them for use in the Gulf and to address the most commonly arising issues. Michael has also been involved in many of the region's largest and most high profile construction and engineering disputes. As a result, he has considerable experience of conducting arbitration in the Gulf, including as an arbitrator appointed by the Dubai International Arbitration Centre. Working with licensed local advocates he has acted on numerous occasions for clients in the Gulf's domestic courts. This has included taking cases through all stages of the court proceedings, from obtaining freezing orders against bank guarantees, attending court appointed experts' meetings through to the execution of final judgments. He is also familiar with proceedings the Dubai International Financial Centre Courts having, amongst other things, acted for a main contractor in the first construction case to come to trial in the DIFC Courts. Michael has also presented at numerous conferences, including the Commercial Law Conference in Bahrain (organised by the United States Department of Commerce) for members of the region's judiciary, the inaugural international conference of the Society of Construction Law held in Singapore and the inaugural conference of the Gulf branch of the Society of Construction Law. He is recommended in the top tier of all the leading independent legal directories including Who's Who Legal, Chambers Global and Legal 500.

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